Our Work · Custom Furniture

Purpleheart, Ash & Zebrawood Turtle Inlay Dining Table

A dining table built around a hand-cut turtle inlay, with an ash center framed by purpleheart and zebrawood and a hand-rubbed tung oil finish meant to be felt, not just seen.

Finished turtle inlay dining table set with plates in a sunlit dining room
Location
New Hampshire
Materials
Ash, purpleheart, and zebrawood; colored epoxy inlay; welded steel base; tung oil finish
Scope
Design, fabrication, metalwork, finishing

How It Was Made

From a stack of boards to the table in the room.

Notes from the bench, in Dan's own words.

01

Choosing the wood

I started by heading down to the Woodcraft store and picking out wood that I thought would look really nice together: a nice piece of ash for the center, and purpleheart and zebrawood for the outer edges. I wanted something symmetrical but visually interesting, where the focus is on the natural colors and grain of the wood itself rather than any stain or coloring.

Rough purpleheart, ash, and zebrawood boards laid out before milling
02

Milling and glue-up

I milled the boards flat, straight, and square, then glued up the edges first to get them flat and level. From there I glued the two sides onto the center board and spent a good amount of time flattening and leveling until the top was smooth and dead flat.

Ash center panel flanked by purpleheart and zebrawood, glued into the tabletop The glued tabletop clamped and worked flat on the bench
03

Designing the inlay

This was before we had the CNC, so the design was done by hand. My wife got out her Cricut and cut stencils for the turtle, the seaweed, and the ferns, and we laid those onto the top to map everything out.

Stencils for the turtle and seaweed being applied to the tabletop
04

Carving and the epoxy inlay

With a router and a Dremel, I carved about three-eighths of an inch deep into the ash to make the pocket for the turtle, seaweed, and ferns. Then we filled it with colored epoxy, working in swirls and different tones to bring the design to life, and sanded it all flush. That was the top basically done.

The turtle and seaweed design routed into the ash center Colored epoxy filling the carved turtle and seaweed inlay
05

Welding the steel base

For the base I went to Mill Metals in Manchester and grabbed some one-by-two square tube. This isn't the thin-wall stuff off a cheap online table; it's basically structural steel with an eighth-inch wall, very heavy duty. I cut and welded it into the legs, ground the welds, and hit it with Rust-Oleum's Hammered finish to give it a raw, wrought-iron look. I like blending metal legs with wood that way; it reads more rustic than a plain flat black.

Welded steel square-tube legs with a hammered wrought-iron finish The steel base attached to the underside of the tabletop
06

The tung oil finish

The top got several coats of Formby's tung oil. I like oil finishes because they're easily repairable and they don't scratch the way a film finish does; the oil soaks in and protects the wood, so a scratch just sands out and touches up with more oil. It keeps the natural look and feel, so you're still feeling wood, not a plastic film over it. On a tabletop, that earthy, made-of-wood feel is exactly what I wanted.

The finished tabletop showing the turtle inlay, purpleheart, and zebrawood under a tung oil sheen

I build every piece to last for generations, with the same attention to the wood, the joinery, and the finish that went into this one. If you have something in mind for your own home, I would love to talk it through.

Inquire about a similar piece

Begin a Project

Considering a piece of work for your home?

We take on a limited number of projects each year. Reach out with what you have in mind and we will be in touch to discuss the space, the materials, and the timing.